aprendamos algo de musica (mediante youtube)

os recomiendo a the hollies



The Hollies son una banda de rock británica formada a inicios de 1960.
The Hollies son uno de los más exitosos grupos de pop rock de la invasión Británica. Mientras que grupos como The Beatles jugarían con experimentos no tan populares. Los Hollies mantuvieron su material musical atractivo y pegajoso sin importar que estilo seguir, sin embargo, trataron de enfilarse hacia los rumbos del Folk-rock y ligeramente en los sonidos psicodélicos como puede apreciarse en su evolución musical a través del paso del tiempo.

puedo yo tambien?

todos klaro esta.pero intentando q no sea una novedad...q ya konoceremos todos....

De wikipedia:

La Penguin Cafe Orchestra fue una unión libre de músicos encabezada por el guitarrista clásico, compositor y arreglista Simon Jeffes (Sussex, Inglaterra, 1949-1997). Sólo Jeffes y la cellista co-fundadora Helen Liebmann eran miembros permanentes y núcleo del grupo. Otros músicos eran incorporados por los requerimientos de piezas musicales concretas o de "performances". Su música no tiene una fácil clasificación, pero tiene elementos de la música folk y una estética minimalista con reminiscencias ocasionales de Philip Glass.
El origen del grupo viene tras la ingesta de Simon Jeffes de un pescado en mal estado. Estuvo varios días en cama, fiebroso y alucinando. Dias más tarde, mientras tomaba el sol, tuvo un "flash" de esas alucinaciones, que incluía la visión de un hotel donde la gente estaba alienada y buscaba la felicidad de manera egoísta; y una frase absurda: "Soy el propietario del café Pingüino. Te diré cosas al azar". Y, de alguna manera, según Jeffes, descubrió las armonías y pecualiaridades de este tipo de música que se convertiría en su estandarte.
La Penguin Cafe Orchestra grabó y actuó durante 24 años, hasta el fallecimiento de Jeffes en 1997 por un tumor cerebral.
Temas importantes:
- Music for a found harmonium - Preludes & yodels - Air - Air a danser - Perpetuum mobile - Surface Tension - Penguin cafe single - Soun of someone you love who's going away and it doesn't matter - Telephone and rubber band - Heartwind
En las portadas de sus discos aparecen pinturas surrealistas que mezclan hombres y mujeres desnudos en escenarios bizarros, llevando máscaras de pingüinos.

Apunte: yo escuchaba esto a los 14 años =__=

muy xulo storywriter

excelente psot Leire!!!!

voy

Paul Butterfield Blues Band

Dicen que es la primer banda de blues de blancos

At first, there was friction between Butterfield and Bloomfield, since the harmonica man patterned his bandleading style after taskmasters like Howlin' Wolf and Little Walter; after a few months, though, their respect for each other's musical skills won out, and they began sitting in together at blues clubs around the city. A song from their aborted first session, the Nick Gravenites-penned "Born in Chicago," was included on the Elektra sampler Folksong '65 and created a strong buzz about the band. In the summer of 1965, they re-entered the studio for a second crack at their debut album, adding organist Mark Naftalin as a permanent sixth member during the sessions. In the meantime, they were booked to play that year's Newport Folk Festival. When Bob Dylan witnessed their well-received performance at an urban blues workshop during the festival, he recruited Butterfield's band to back him for part of his own set later that evening. Roundly booed by acoustic purists, Dylan's plugged-in performance with the Butterfield Band ultimately shook the folk world to its foundations, kickstarting an electric folk-rock movement that effectively spelled the end of the traditionalist folk revival.

On the heels of their historic performance at Newport, the Paul Butterfield Blues Band released their self-titled debut album later in 1965. Now regarded as a classic, the LP caused quite a stir among white blues fans who had never heard electric Chicago-style blues performed by anyone besides British blues-rock groups. Not only did it sow the seeds of a thousand bar bands, but it also helped introduce more white listeners to the band's influences, especially Muddy Waters and B.B. King. Toward the end of 1965, drummer Sam Lay fell ill and was replaced by the jazz-trained Billy Davenport, whose rhythmic agility and sophistication soon made him a permanent member. He was particularly useful since Butterfield was pushing to expand the band's sound, aided by Bloomfield's growing interest in Eastern music, especially Ravi Shankar. Their growing eclecticism manifested itself on their second album, 1966's East-West, which remains their greatest achievement. The title cut was a lengthy instrumental suite incorporating blues, jazz, rock, psychedelia, and raga; although it became their signature statement, the rest of the album was equally inspired, perhaps due in part to Butterfield's more relaxed, democratic approach to bandleading.

ES parte de la biografia de Paul B.

He aqui unos videos:


https://www.youtube.com/watch?v=vkI-E0QKSN8




https://www.youtube.com/watch?v=e3LEhfbKCSc&feature=related