Comienzo de la gira (portsmouth) 19-08-08
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Comienzo de la gira (portsmouth) 19-08-08
Primera parada Portsmouth, este es el setlist del concierto
(ojo, estan desordanadas las kanciones)
In My Room
In The Heat Of The Morning
The Meeting Place
The Time Has Come Again
Calm Like You
The Age Of The Understatement
Black Plant
Separate And Ever Deadly
Gas Dance
Sequels
Hang The Cyst
The Chamber
Standing Next To Me
My Mistakes Were Made For You
I Don't Like You Anymore
Only The Truth
aqui unos videos (no muy buenos, pero algo es algo):
http://fr.youtube.com/watch?v=NuvxAUOySwU
http://fr.youtube.com/watch?v=ScfNhkEGKFE
http://fr.youtube.com/watch?v=1hLP8_F2fkw
http://fr.youtube.com/watch?v=YBHnj_eao7Q
http://fr.youtube.com/watch?v=dGrhpjt9XUg
(ojo, estan desordanadas las kanciones)
In My Room
In The Heat Of The Morning
The Meeting Place
The Time Has Come Again
Calm Like You
The Age Of The Understatement
Black Plant
Separate And Ever Deadly
Gas Dance
Sequels
Hang The Cyst
The Chamber
Standing Next To Me
My Mistakes Were Made For You
I Don't Like You Anymore
Only The Truth
aqui unos videos (no muy buenos, pero algo es algo):
http://fr.youtube.com/watch?v=NuvxAUOySwU
http://fr.youtube.com/watch?v=ScfNhkEGKFE
http://fr.youtube.com/watch?v=1hLP8_F2fkw
http://fr.youtube.com/watch?v=YBHnj_eao7Q
http://fr.youtube.com/watch?v=dGrhpjt9XUg
Leire- Please just stop talking
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Re: Comienzo de la gira (portsmouth) 19-08-08
aunque los videos no tengan una calidad de sonido buena, se aprecia lo bien que suenan en directo ^_^. Gracias Leire!!
El primer enlace de video que pusiste (http://fr.youtube.com/watch?v=NuvxAUOySwU), a las que lo grabaron es para matarlas, que chillonas . Bueno el título del video "Alex I love you" ya lo dice todo...xD
El primer enlace de video que pusiste (http://fr.youtube.com/watch?v=NuvxAUOySwU), a las que lo grabaron es para matarlas, que chillonas . Bueno el título del video "Alex I love you" ya lo dice todo...xD
anuska- who the fuck are arctic monkeys?
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Re: Comienzo de la gira (portsmouth) 19-08-08
mas:
in the heat of the morning:
http://fr.youtube.com/watch?v=1MiCmljfUvc
in the heat of the morning:
http://fr.youtube.com/watch?v=1MiCmljfUvc
Leire- Please just stop talking
- Cantidad de envíos : 724
Edad : 39
Fecha de inscripción : 25/03/2008
Re: Comienzo de la gira (portsmouth) 19-08-08
mas
review del diario telegraph
Thomas H Green reviews Alex Turner and Miles Kane's The Last Shadow Puppets at Guildhall, Portsmouth
Before The Last Shadow Puppets appeared on stage, the London Philharmonic Orchestra lined up behind a veil curtain at the back.
It was clear the band weren't going to stint on recreating the opulent sound of their Mercury-nominated album 'The Age Of The Understatement'. The side project of Arctic Monkeys frontman Alex Turner and his friend Miles Kane of the band The Rascals, connects their northern lyrical pith to '60s-flavoured sounds in the style of the Walker Brothers and John Barry film scores.
They popped up at Glastonbury, with The White Stripes' Jack White in tow, but this gig marked the beginning of their first full scale tour. They wandered onstage with no fanfare and got straight down to business, apparently nervous but visibly encouraged by their wild-haired producer James Ford on drums.
Four songs in they hit their stride with the galloping 'Only The Truth' which excited one section of the crowd so much they began chanting, "Ooh, Alex Turner," as if at a football match, only for the subject of their adulation to shyly demand they "stop embarrassing me in front of my friend". The orchestra then made the most of the sweeping strings and drifted into a low key psychedelic obscurity called 'Gas Dance' before Turner let rip with a version of David Bowie's 'In The Heat Of The Morning'.
Turner and Kane comfortably swapped vocals and guitar duties throughout the concert, their obvious closeness unselfconsciously emphasised by a moment when they came together and touched heads with a dramatic shake.
If Turner's treat was the Bowie cover, Kane's was a feisty take on Love's 'Little Red Book' which his pal introduced by telling the crowd Kane was allowed to sing it because it was his birthday, resulting in a mass 'Happy Birthday' singalong. There was a sense throughout that, as the tour went on, the band would probably relax and have more fun with their set.
In fact, if there was one complaint, it was that the amplified rocking occasionally drowned out the album's subtle orchestral nuances. Most of the crowd, it has to be said, didn't seem to mind this too much, especially on a pummelling version of 'I Don't Like You Anymore'.
As they closed with the epic 'In My Room', Turner and Kane emanated satisfied relief, their diffident smiles and unassuming exit covered by a final orchestral flourish from the back.
review del diario telegraph
Thomas H Green reviews Alex Turner and Miles Kane's The Last Shadow Puppets at Guildhall, Portsmouth
Before The Last Shadow Puppets appeared on stage, the London Philharmonic Orchestra lined up behind a veil curtain at the back.
It was clear the band weren't going to stint on recreating the opulent sound of their Mercury-nominated album 'The Age Of The Understatement'. The side project of Arctic Monkeys frontman Alex Turner and his friend Miles Kane of the band The Rascals, connects their northern lyrical pith to '60s-flavoured sounds in the style of the Walker Brothers and John Barry film scores.
They popped up at Glastonbury, with The White Stripes' Jack White in tow, but this gig marked the beginning of their first full scale tour. They wandered onstage with no fanfare and got straight down to business, apparently nervous but visibly encouraged by their wild-haired producer James Ford on drums.
Four songs in they hit their stride with the galloping 'Only The Truth' which excited one section of the crowd so much they began chanting, "Ooh, Alex Turner," as if at a football match, only for the subject of their adulation to shyly demand they "stop embarrassing me in front of my friend". The orchestra then made the most of the sweeping strings and drifted into a low key psychedelic obscurity called 'Gas Dance' before Turner let rip with a version of David Bowie's 'In The Heat Of The Morning'.
Turner and Kane comfortably swapped vocals and guitar duties throughout the concert, their obvious closeness unselfconsciously emphasised by a moment when they came together and touched heads with a dramatic shake.
If Turner's treat was the Bowie cover, Kane's was a feisty take on Love's 'Little Red Book' which his pal introduced by telling the crowd Kane was allowed to sing it because it was his birthday, resulting in a mass 'Happy Birthday' singalong. There was a sense throughout that, as the tour went on, the band would probably relax and have more fun with their set.
In fact, if there was one complaint, it was that the amplified rocking occasionally drowned out the album's subtle orchestral nuances. Most of the crowd, it has to be said, didn't seem to mind this too much, especially on a pummelling version of 'I Don't Like You Anymore'.
As they closed with the epic 'In My Room', Turner and Kane emanated satisfied relief, their diffident smiles and unassuming exit covered by a final orchestral flourish from the back.
Leire- Please just stop talking
- Cantidad de envíos : 724
Edad : 39
Fecha de inscripción : 25/03/2008
Re: Comienzo de la gira (portsmouth) 19-08-08
mas
review del diario independent
Reviewed by Nick Hasted
4/5
"Thanks for 'avin' us, Portsmouth," says Alex Turner. "It's our first time." The string and brass sections glimpsed behind him like ballroom ghosts are enough to tell you the Arctic Monkeys' prosaic urban dreams have been briefly left behind. His new band with The Rascals' Miles Kane, The Last Shadow Puppets, instead attempts urbane sophistication on record. David Axelrod and Love's Arthur Lee are among its challenging models. But tonight's full debut unexpectedly harnesses this sound to driven rock'n'roll. The shrieking strings aren't prissy adornments, but aggressive implements in the service of the old-fashioned, four-piece beat group Turner and Kane lead at the front. The daring of their experiment is clarified thrillingly.
The Last Shadow Puppets' inevitable classification as a Turner side-project is deliberately challenged. Kane takes most of the lead vocals and electric guitar, his partner literally keeping his head down in acoustic, anonymous support. They wrote the album with the give and take of early Lennon and McCartney, so it's impossible to separate their contributions.
While other groups have settled for plain street tales in the Monkeys' wake, the trend's instigator has left them in the dirt. Yet on "The Meeting Place", there's a girl who, "the colder the night, the deeper she shaves". And even as "My Mistakes Were Made for You" lashes the John Barry and Beatles of 1964 together, another girl is "as subtle as an earthquake, with the filthiest of minds". These could be the same people from the same Sheffield streets as in any Monkeys song; played now, though, as femme fatales, by Forties movie stars.
Kane tries Ethiopian jazz guitar on "Hang the Cyst", and long psychedelic blues notes on "I Don't Like You Any More". Turner dominates just once, crooning "Time Has Come Again". When he announces, "We're the Last Shadow Puppets" halfway through, he seems only half-convinced, as if they're not quite a real band; certainly not his, as the Monkeys are. But their album's pastiche feel and noir misogyny has been replaced by celebratory, innovative swagger tonight. You can feel Turner and Kane stretching into new shapes. Compared to their plodding indie peers, what they will do next is thrillingly unguessable.
review del diario independent
Reviewed by Nick Hasted
4/5
"Thanks for 'avin' us, Portsmouth," says Alex Turner. "It's our first time." The string and brass sections glimpsed behind him like ballroom ghosts are enough to tell you the Arctic Monkeys' prosaic urban dreams have been briefly left behind. His new band with The Rascals' Miles Kane, The Last Shadow Puppets, instead attempts urbane sophistication on record. David Axelrod and Love's Arthur Lee are among its challenging models. But tonight's full debut unexpectedly harnesses this sound to driven rock'n'roll. The shrieking strings aren't prissy adornments, but aggressive implements in the service of the old-fashioned, four-piece beat group Turner and Kane lead at the front. The daring of their experiment is clarified thrillingly.
The Last Shadow Puppets' inevitable classification as a Turner side-project is deliberately challenged. Kane takes most of the lead vocals and electric guitar, his partner literally keeping his head down in acoustic, anonymous support. They wrote the album with the give and take of early Lennon and McCartney, so it's impossible to separate their contributions.
While other groups have settled for plain street tales in the Monkeys' wake, the trend's instigator has left them in the dirt. Yet on "The Meeting Place", there's a girl who, "the colder the night, the deeper she shaves". And even as "My Mistakes Were Made for You" lashes the John Barry and Beatles of 1964 together, another girl is "as subtle as an earthquake, with the filthiest of minds". These could be the same people from the same Sheffield streets as in any Monkeys song; played now, though, as femme fatales, by Forties movie stars.
Kane tries Ethiopian jazz guitar on "Hang the Cyst", and long psychedelic blues notes on "I Don't Like You Any More". Turner dominates just once, crooning "Time Has Come Again". When he announces, "We're the Last Shadow Puppets" halfway through, he seems only half-convinced, as if they're not quite a real band; certainly not his, as the Monkeys are. But their album's pastiche feel and noir misogyny has been replaced by celebratory, innovative swagger tonight. You can feel Turner and Kane stretching into new shapes. Compared to their plodding indie peers, what they will do next is thrillingly unguessable.
Leire- Please just stop talking
- Cantidad de envíos : 724
Edad : 39
Fecha de inscripción : 25/03/2008
Re: Comienzo de la gira (portsmouth) 19-08-08
Black Plant : http://fr.youtube.com/watch?v=NFzsdGA7l5U
Only The Truth : http://fr.youtube.com/watch?v=Q7UDeITHG9U
The Chamber : http://fr.youtube.com/watch?v=JV1IlZPlQeI
I Don't Like You Anymore : http://fr.youtube.com/watch?v=O2Hmim9nEDk
Intro (Calm Like You) : http://fr.youtube.com/watch?v=GmnpJIQEaUE
The Time Has Come Again : http://fr.youtube.com/watch?v=HQhA-vSGvus
In My Room love love : http://fr.youtube.com/watch?v=6XOMLALRv3c
Only The Truth : http://fr.youtube.com/watch?v=Q7UDeITHG9U
The Chamber : http://fr.youtube.com/watch?v=JV1IlZPlQeI
I Don't Like You Anymore : http://fr.youtube.com/watch?v=O2Hmim9nEDk
Intro (Calm Like You) : http://fr.youtube.com/watch?v=GmnpJIQEaUE
The Time Has Come Again : http://fr.youtube.com/watch?v=HQhA-vSGvus
In My Room love love : http://fr.youtube.com/watch?v=6XOMLALRv3c
Leire- Please just stop talking
- Cantidad de envíos : 724
Edad : 39
Fecha de inscripción : 25/03/2008
Leire- Please just stop talking
- Cantidad de envíos : 724
Edad : 39
Fecha de inscripción : 25/03/2008
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